TEACHING WITH DRAMATIZED EXPERIENCE
Introduction
-
Dramatic experiences come next to contrived
experiences in the Cone. Do these dramatic experiences require us to be
dramatic in our entrance into the classroom and in our lesson presentation?
Abstraction
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Something dramatic is something that is
stirring or affecting or moving. A dramatic entrance is something that catches
and holds our attention and has an emotional impact. If our teaching is
dramatic, our students get attracted, interested and affected. If they are
affected and moved by what we taught, we will most likely leave an impact on
them. So, why can’t we be dramatic all the time?
Dramatized
experiences can range from the formal
plays, pageants to less formal tableau, pantomime, puppets and role playing.
·
Plays –
depict life, character, or culture or a combination of all three. They offer
excellent opportunities to portray vividly important ideas about life.
·
Pageants –
usually community dramas that are based on local history, presented by local
actors. An example is a historical pageant that traces the growth of a school.
Play and pantomime require much time for preparation and so cannot be part of
everyday classroom program.
·
Pantomime –
is the art of conveying a story through bodily movements only. Its effect on
the audience depends on the movements of the actors.
·
Tableau – (a
French word means “picture”) is a picture-like scene composed of people against
a background. A tableau is often used to celebrate Independence Day, Christmas
and United Nations Day.
·
Puppets –
unlike regular stage play, it can present ideas with extreme simplicity,
without elaborate scenery or costume yet effective. An inanimate object,
constructed of wood, cloth, plastic, cardboard, etc.
Types of Puppet
1.
The
marionette – are generally fashioned from wood and resemble a human
body.
2.
Shadow
puppet – similar to the marionette, but less sophisticated. The
shadow puppet are generally flat character created from heavy paper or
cardboard.
3.
Stick
puppet – as simple as a Styrofoam ball head attached to a tick,
or a two-dimensional picture attached to a stick.
4.
Hand
puppet – most common type of puppet they are relatively simple
to create.
5.
Mouth
puppet – are distinguished from other puppets in that they have
movable mouths, thus allowing the puppets to talk more realistically.
6.
Rod
puppet – flat cut out figures tacked to a stick, with one or
more movable parts, and operated from below the stage level wire rods or
slender stick.
7.
Glove-and-finger
puppet – make used of old gloves to which small costumed figure
are attached.
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